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No change this month, I've just carried them over ... I've been off the floor all month with pneumonia
New dances are those that
I've learnt within
the past year. What
makes a great dance? The music is
prolly
the most important thing - the music makes or breaks a dance. A great
track
will make up for average or even poor choreography, but a song I
dislike
will turn even a brilliantly choreographed dance into something I'll
walk
off the floor for (and I speak for all dancers there!). Another must -
the dance has to fit the music. Not
necessesarily
phrasing but the feel & emphasis in the music. Then there's the
choreography. A good dance is
one
where the dance flows, there're no awkward turns or weight changes and
the steps seem to flow naturally given your centre of mass, feet
position, body momentum
and how ya have yer weight distributed on ya feet. A quick look at the
dances that have hung around for more than a few months and still get
the numbers on the floor show they almost all have great songs (with a
good beat & not too long or short) and tidy choreography. And
despite the deluge of pop, hip hop, latin and who knows what else,
dances done to good country tracks are the ones that hang around
forever.

* top dance by a relatively unknown
choreographer.
| 2006: |
Michael's
Two Step - Terry Hogan (the dance), Sweet Little Lisa - Rosalie Mackay (Impr./Beg.), Hicktown
- Iain & Lyn Booth (int.), Falling Again - Kelvin Dale & Sam Dixon (adv), nothing that impressed me! :( (waltz), Come Tomorrow
- Michele Perron (foreign), I Gotta Brand New Girlfriend - Tim Gauci (floor filler), Carl Sullivan (choreographer), Hicktown
- Iain & Lyn Booth (Hidden star).
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